Trusted on stage by
Twenty years on consoles, headsets, and loading docks. Now I take the AV side of corporate events off your plate: the vendors, the quotes, the planning, all of it. You tell me what the event needs. I'll handle the rest.
Most of the work on a good show happens weeks before anyone walks in the room. Chasing quotes, booking the AV company, sorting out power and internet, playing go-between with the venue. That's the part I take over, and I stick with it until the last truck pulls out.
I'll find and book the AV company, go through their quote line by line, and ask the questions you might not know to ask. If something's padded, I'll catch it.
Site visits, tech riders, run of show, power, internet. I get it sorted early so show day isn't a scramble.
I've been on the vendor side, so I know what things cost. You'll get a straight answer on what you need and what you can skip.
A lot of this job happens on calls and in email, so I can work with your venue's crew from anywhere. When the show needs me in the room, I'll be there.
On site, I'm on headset with the crew. Remote, I'm on call with your crew lead all day. You stay with your guests while I keep things moving.
Cameras, stream audio, remote speakers. The folks watching from home deserve a good show too.
The gear matters. Communication, timing, and a calm head matter more.
Same plan for every show, whether it's one room or ten cities.
We talk about the event, the room, the audience, and the budget. I ask a lot of questions early. It saves everyone headaches later.
I put together the gear list, AV layout, and crew plan, then go get quotes. You see the numbers before anything gets booked.
Vendors booked, content checked, backups ready. We run it until the transitions get boring.
On site, I'm on headset with the crew. Remote, I'm on call with your crew lead all day. Either way, I'm keeping the show on time.
Load-out, then a quick call about what worked and what we'd tweak next time.
I got my start at a local sound company before I was old enough to drive, coiling cables and pushing road cases. My leader there taught me the trade, and I've been building on it ever since.
Since then I've mixed for bands, run concert and festival stages as a production manager, and now I plan corporate events and touring client shows across the United States and Canada. You can still catch me behind the audio board mixing the show myself.
When you work with EchoHead, you work with me. No handoffs to an assistant or an account rep. Your show gets my full attention, and you get someone who plans like a project manager, runs the show like an engineer, and actually answers the phone.
